It’s been an inspiring few months. Writing has helped me to heal and find my voice, and I love helping others do the same. I’m really enjoying my time as the Irish Writers Centre Writer In Residence with Womens Aid. The work coming out is heart-warming and eye opening.
I was delighted to be part of the second curation of the Poetry Jukebox, alongside Maria McManus. There are many powerful poems on here looking both directly and indirectly at the 20th anniversary of the Good Friday Agreement. Have a listen outside the Crescent Arts Centre in Belfast. This curation runs until 10th June.
I’ve really enjoyed some mini residencies with schools in the north as part of Poetry Ireland’s Writers In Schools scheme. I was moved to tears by some beautiful feedback from one school where every pupil sent me a personal note. One said she always thought poetry was boring but now she knows it is beautiful. Another said she’s now keeping a poetry notebook and writes in it every day.
I’m looking forward to the next few months when I’ll be working with people who have eating disorders. I love helping people to find their voice again.
I’ll also be running another Heartfelt Writing Weekend. Here’s a lovely comment from a previous weekend: “This was the first workshop where I was ‘given permission’ to be myself, to write from my spirit – my heartbeat. I feel free.”
It’s a real joy to see some of my mentoring clients getting published and being shortlisted for awards.
And I’m working away on a new sequence of poems, thanks to a SIAP Award from the Arts Council. Here’s hoping the rest of 2018 is just as inspirational.
I’m delighted to be teaching the screenwriting course at this year’s John O’Connor Writing School in Armagh, from 3rd-5th November.
During these practical and inspiring sessions you’ll learn how to create characters that leap off the page, how to structure a story for the screen, how to write a great scene, explore the common mistakes writers make and more. This is suitable for beginners and emerging screenwriters who want to take their scripts to a deeper level. We’ll focus primarily on TV and film, but many of the tools and insights can be adapted for radio and stage.
I’ll be passing on all all of my tips and insider knowledge gained as an award winning writer for TV, short film, radio and theatre, and during my 8 years as a BBC script editor
The wonderful Barry Devlin is teaching the screenwriting masterclass on the Saturday.
The festival last year was friendly, intimate and great crack – so many writers mingling in such a small city.
Sometimes you do your best writing in bed. Give yourself permission to do this.
When I was writing for Fair City I used to lie in bed in the mornings running a scene over and over in my head until it was perfect, and then get up and write it down. My partner at the time used to ask when I was getting up, and laughed when I said I was thinking. I wondered if I was kidding myself until I got speaking to another writer on the series who said she did the exact same thing.
I remembered all this this morning when I was having a lie in. During this lie in I wrote a blog, a course outline, some tweets, this post and the answer to a question that’s been bothering me for a long time. Now that’s what I call a lie in.
Whatever works for you – do it!
PS During my lie in I also got this in a dream – God does not always come in lightning strikes but in a series of small kisses. You can replace God with the Muse, Inspiration, writing angel, whatever – just grab those kisses when they come.